Reginald Theatre, Seymour Centre, January 24 at 2pm
It’s a measure of the respect Squabbalogic now commands that it can sell out two performances at the Reginald Theatre without audiences having a clue what it is they are going to see.
Tickets to Squabbalogic’s first Mystery Musical were snapped up fast, raising $10,000 for the company, as the company’s artistic director Jay James-Moody told us in his welcome speech before the start of the show. He also revealed that the independent company has applied for funding for the first time.
Anyway, everyone was clearly delighted to be contributing to the cause and was fascinated to see what musical the Squabb team had chosen for the company’s first blind-date show.
With the promised theatre program not being handed out until interval, it wasn’t until the first chords sounded and the cast burst into song that we discovered it was…..(drum roll) Bye Bye Birdie. It was a surprise choice in some ways, as Squabbalogic tends to produce recent musicals we would otherwise be unlikely to see. (Though in another unusual move they are producing Man of La Mancha next month).
The 1960 show with book by Michael Stewart, music by Charles Strouse and lyrics by Lee Adams is pure musical comedy. I have never seen it on stage. In fact, I didn’t really know the show beyond some of the more famous songs like Put On a Happy Face and A Lot Of Livin’ To Do. So the chance to see it at all was great, and then to see it done so well – with just three days rehearsal – was the cream on the cake. I have to say it was a delightful way to spend an afternoon and everyone in the audience seemed to leave with a big smile on their face.
James-Moody starred, directed and “sort of choreographed” as he put it in the program – though in his welcoming remarks he did acknowledge the help of the cast and Nancye Hayes with the choreography.
He had assembled a terrific group of performers – Johanna Allen, Blake Erickson, Mikey Hart, Nancye Hayes, Jessica James-Moody, Jaimie Leigh Johnson, Rob Johnson, Josie Lane, Michele Lansdown, Adele Parkinson, Garry Scale and Rowan Witt – and cast the show exceptionally well.
Their ranks were bolstered by an ensemble of 15 enthusiastic, talented graduates and students from the Australian Institute of Music (AIM) as the show’s teenagers.
Bye Bye Birdie is an affectionate satire, inspired by Elvis Presley being drafted into the army in 1957. It has plenty of catchy songs, a strong book full of big laughs (which plugs into the growing generation gap between teenagers and their parents), and an old-fashioned, feel-good exuberance about it.
In a nutshell, the show is set in 1958. Agent/songwriter Albert Peterson, who is already in debt, hears that rock and roll star Conrad Birdie has been drafted.
Albert’s secretary and long-suffering sweetheart Rose Alvarez, comes up with a publicity stunt to bring in some bucks. Albert will write a new song called “One Last Kiss” for Conrad, who will sing it and kiss one of his thousands of fans (picked at random) as he departs. The lucky girl is Kim MacAfee from Sweet Apple, Ohio. Then, says Rosie, Albert will be able to wind up his business, marry her and become an English teacher (as he has been promising for yonks).
Throw in Albert’s domineering, interfering mother, who does all she can to prevent him marrying Rosie, Kim’s disapproving family and jealous boyfriend Hugo Peabody, along with hordes of screaming, swooning fans, and things naturally go pear-shaped.
It’s a hoot that the happy ending has Albert agreeing to walk away from New York and showbiz and head instead for the tiny town of Pumpkin Falls, Iowa to teach English and Domestic Science, with Rose as his wife. Hard to make that outcome fly as a happy ending these days!
As with Neglected Musicals’ rehearsed readings, the cast performed with book in hand. But the standard of performance was remarkable given such little rehearsal time. James-Moody as Albert, Josie Lane as Rosie, Adèle Parkinson as Kim and Nancye Hayes as Albert’s mother were all sensational, performing with just the right, light comic touch. But kudos to the entire cast, each of whom did a fantastic job. Praise too to musical director Hayden Barltrop on keys.
Even without being fully staged, Bye Bye Birdie was a delightful, thoroughly satisfying performance that gave audiences a welcome chance to experience a classic musical comedy. I look forward to the next Mystery Musical with great anticipation.
As for Squabbalogic, which just this week won four 2014 Sydney Theatre Awards for its glorious production of The Drowsy Chaperone, the company just seems to go from strength to strength. Let’s hope funding follows.