Hayes Theatre Co, September 14
Peter Rutherford and James Millar’s scintillating song cycle LOVEBiTES premiered in Sydney in 2008, earning a Sydney Theatre Award nomination, and returned the following year as part of the BITE (Best of Independent Theatre) season.
It’s great to see it back in a new production, directed by Troy Alexander for Wooden Horse Productions at Sydney’s dynamic little Hayes Theatre Co.
A collection of songs about lurve, the show shines a light on seven very different relationships. In Act I we see each couple meet and fall for each other. In Act II we discover how things turned out.
Amongst them are a florist and her admirer Poppy, two men who meet at a book group, a mile-high liaison between a Hollywood star and an airhostess, and a wedding that leads to a three-way marriage. There’s also the hilarious story of a malfunctioning loo that nearly scuppers a perfect match, which pays tribute to Sondheim’s Sweeney Todd (“attend the tale of Annie Pluck”).
In just two songs per couple – sung by one of the pair in the first act, and then by the other person in the second – Millar deftly conveys story and character. His lyrics are beautifully observed, finding humour, joy, passion and heartbreak in all manner of ordinary situations.
Rutherford’s catchy music ranges from musical theatre pastiche to perky pop to tender ballads. In its previous incarnation, the show was performed with solo piano. Here a four-piece band led by Steven Kreamer (hidden backstage) move confidently between the different styles.
The sound mix was a little uneven at the performance I saw, with the music dominating the vocals at times, particularly in the up-tempo numbers, but it settled as the show progressed.
Performed by just four people, LOVEBiTES certainly showcases the vocal and dramatic versatility of its cast and is well served here by a terrific line-up: Kirby Burgess, Tyran Parke, Adèle Parkinson and Shaun Rennie.
They are all impressive but the two ladies are knockouts. Burgess has been in musicals including An Officer and a Gentleman, Hairspray and Grease in which she played the role of Rizzo in Perth recently. Parkinson was in Squabbalogic’s production of Carrie and understudied the role of Elle Woods in Legally Blonde. Both show their star quality here and if they aren’t playing lead roles in major musicals soon I’ll eat my review.
Lauren Peters has created a slick, effective set design featuring two small revolves on a shiny black stage, which keep the scene changes moving quickly, while Becky-Dee Trevenen does a great job with the costuming. Ellen Simpson’s energetic choreography also works well in the tiny space.
Memory can be deceptive but having seen both the previous productions, I’m not sure this one tears at the heartstrings quite as much, though Parkinson’s exquisite rendition of Give it to the Breeze had me weeping.
Overall though, this is a fine production of a beautiful little show and well worth a look.
LOVEBiTES is at the Hayes Theatre Co until October 5. Bookings: www.hayestheatre.com.au or 02 8065 7337