Hayes Theatre Co, May 14
You can see why Tim Freedman’s songs appealed to playwright Alex Broun as the inspiration for a musical. Not only do they have beautiful melodies and pithy lyrics that ring emotionally true but a strong sense of narrative and character, written as they were about real people, places and incidents.
Broun co-wrote his new musical Truth, Beauty and a Picture of You with Freedman (frontman of Sydney rock band The Whitlams) and uses 19 Whitlams classic including “No Aphrodisiac”, “Blow Up the Pokies”, “Keep the Light On”, “Beauty in Me” and the “Charlie” series.
Set in Newtown’s grungy pub scene, 20-year old Tom (Ross Chisari) arrives from Taree with a letter from his Mum, in search of Anton (Ian Stenlake) and Charlie (Scott Irwin), former members of a band in which his dead father Stewie (Toby Francis in flashback scenes) once played.
“Famous on three blocks” in Sydney’s inner west in their heyday, Anton and Charlie are now wrestling with demons and rapidly going to seed. Tom meets a girl called Beatrice (Erica Lovell) who is also searching for herself, having fled Mosman. The encounter between the four leads, predictably enough, to revelations from the past and the possibility of healing.
Produced and directed by Neil Gooding for Hayes Theatre Co, there’s much to enjoy about the production. It’s well staged and performed, the band led by musical director Andrew Worboys is terrific and the songs are great, but Broun’s script is not strong enough for the show to really take off.
Broun draws on Freedman’s themes of male friendship, lost love, disappointment and emotional damage but the characters and plot aren’t developed enough at this point for the climax to convince.
The writing is often perfunctory and never quite rises above the feeling that scenes are contrived to fit the musical numbers. The meeting between Tom and Beatrice, in particular, is clichéd and glib. In fact, the entire story of Tom and Beatrice is far less interesting than the story of the band yet it’s fore-grounded. The scenes about the band – which are the best written and performed – are the ones where we feel ourselves being suddenly drawn in and wanting to know more.
Staged as if in a grotty inner-city pub, Jackson Browne’s set design (lit by Richard Neville) provides just the right vibe. There’s a band set-up on a high stage, backed by all kinds of signs. The stage moves backwards to create room in front of it for various other scenes with simple props sliding out from underneath. It’s a clever solution in the tiny venue.
The actors work hard to bring the show to life. Stenlake as the shambolic, hard-drinking Anton, now letting it all hang out, and Irwin as the pokies-addicted Charlie are particularly impressive, both acting-wise and vocally, the scenes between them some of the most moving.
In the short time that it has been operating, the Hayes has already proved itself an invaluable addition to Sydney’s musical theatre scene and it’s great to see them providing a launch pad for new local musicals like this. Truth, Beauty and a Picture of You still needs work but it’s well worth a look. There’s already much to enjoy about it and there’s plenty of potential for it to be honed into something even better.
Truth, Beauty and a Picture of You plays at the Hayes Theatre Co until June 1. Bookings: hayestheatre.com.au
A version of this review appeared in the Sunday Telegraph on May 19