Hayes Theatre, August 3
When it comes to the feminist agenda underpinning their work, comedy/cabaret group Lady Sings it Better takes a softly-softly approach, couching it within a hugely enjoyable, fun show – but, boy, oh boy! They still make their point, loud and clear.
The group, which has been performing for around five years in various incarnations, now has a four-lady line-up: founder Maeve Marsden, Chandra Franken, Libby Wood and Anna Martin. Their shtick is to sing songs written and performed by men. Giving the songs fresh musical interpretations but without changing the lyrics, they make us hear the words afresh.
Sometimes it’s quite shocking to realise what it is that we’ve been humming happily along to without really taking in the lyrics. In fact, some of them are so appallingly, hilariously sexist that at one point Martin feels the need to reiterate the fact that they are singing the lyrics exactly as written.
Their latest show begins with a mash-up of Jason Derulo’s “Wiggle” and The Wiggles (the ladies are all dressed Wiggle-fashion in coloured tee shirts with logos and black bottoms). Other numbers include Fountains of Wayne’s “Stacy’s Mom”, Robin Thicke’s “Blurred Lines”, Usher’s “Dive”, Shaggy’s “It Wasn’t Me”, Bruno Mars’s “Gorilla”, Tom Jones’s “Delilah” and Sting’s “Every Breath You Take”.
Backed at the Hayes by a terrific three-piece band, they all sing well (each has a solo) and make sweet harmonies together, delivering the songs with the odd wink and knowing look but essentially “straight” – which makes it all the more hilarious and, at times, downright unsettling.
At the encore they break from their trademark and sing Britney Spears’s “Womanizer” – though the song certainly fits their theme. Lady Sings it Better is an act of provocation in its own way, but above all it’s hugely entertaining and the enthusiastic audience lapped it up.
Two shows at the Hayes Theatre sold out fast. The Ladies give a five-year anniversary performance at The Factory, Marrickville on October 4