Hayes Theatre Co, June 26
Ryan Gonzalez, Spanish singer/dancer and leading man of telenovela, is a superstar all over the Latin world – and in parts of South Korea – but he is yet to crack it in the English-speaking world thanks to his one-time friend, now sworn enemy, Ricky Martin.
In Australia for first time, he was to have performed at the Sydney Cricket Ground but due to a rather mysterious ticketing mix-up the venue was suddenly unavailable (guess who had the dates) and so rather than disappoint his fans, he decides to unleash his “hispanic attack” at the rather smaller Hayes Theatre Co.
Ryan Gonzalez is the comic creation of his real-life musical theatre performer namesake, whose credits include Strictly Ballroom, King Kong, Legally Blonde, Violet and the forthcoming Kinky Boots. He is currently dancing in Opera Australia’s new production of Carmen at the Sydney Opera House.
In his first cabaret show Hispanic Attack!, written and directed by Richard Carroll, Gonzalez unleashes the ultimate hip-swivelling Latin lothario, who loves the ladies almost as much as himself, keeping count of his virgin conquests with the number of ruffles on his unbuttoned shirt.
Telling the story of his life from humble beginnings as the only son in a family of 18 children (dutifully naming all 17 sisters), Gonzalez takes us through his life from his discovery on a children’s television talent show, to stardom in a boyband with Ricky Martin, whose subsequent betrayal has left him eternally embittered despite performing at the Eurovision Song Contest three times.
The real Gonzalez is a fabulous dancer and a strong singer and actor. He fully inhabits his self-obsessed comic alter-ego, sustaining the heavy accent and character with oodles of pizzazz. Accompanied by musical director Conrad Hamill on keys, the soundtrack to the show includes hits by the likes of Gloria Estefan, Santana, Jennifer Lopez, Shakira and even his nemesis Ricky Martin.
Having starred in a production of The Phantom of the Opera with Christine Aguilera, who was supposed to appear but has gone the same way as the SCG booking, there’s also a very funny version of All I Ask of You in which he sings Christine in a soaring pop voice and Raoul in a traditional musical theatre tenor (even though he says he played the Phantom, but no matter).
Amy Campbell’s Latin-inspired choreography gives him the chance to make the most of his mobile hips and fleetest of feet and he struts his stuff with consummate flair, throwing in the splits for good measure.
The show explodes at a similar pitch throughout and many of the jokes centre around his gyrating groin, but Gonzalez plays the stereotype to the hilt with such infectious good humour, it’s a great deal of fun.