Independent Music Theatre names venue after Nancye Hayes

As we reveal in today’s Sunday Telegraph, Independent Music Theatre is honouring Australian musical theatre legend Nancye Hayes by renaming the Darlinghurst Theatre after her.

When Hayes first got a call from David Campbell to discuss the idea she was so surprised she didn’t quite believe him.

“It’s something I’m still coming to terms with,” says Hayes. “When David rang me I thought, ‘this call isn’t happening.’ It’s not something you think will happen to you.”

Campbell is one of six producers and independent companies specialising in small-scale musicals and cabaret who have formed a consortium called Independent Music Theatre (IMT).

When the Darlinghurst Theatre Company leaves its Potts Point venue later this year to move to a new home in East Sydney, IMT will take over the theatre and turn it into a home for music theatre and cabaret.

IMT is renaming the 115-seat venue the Hayes Theatre as a tribute to one of our most loved leading ladies whose career in Australian musicals spans 50 years.

When Hayes first started performing in musicals, the leading roles automatically went to imported performers. Together with Jill Perryman and Toni Lamond, Hayes helped change this when at the age of 24 she played Charity in the 1967 J.C. Williamson production of Sweet Charity – one of the first Australian musical theatre performers to receive star billing.

The fact that she lives just around the corner from the Darlinghurst Theatre was the clincher.

“Nancye is a local so she’s the perfect fit,” says Campbell. “She’s still starring in shows like Annie and she also directs and choreographs. I think in this country we often leave it too late to honour people. We should cherish our stars and honour them while they are still living.”

Hayes says she feels “very humble, very proud and very honoured” and believes that an initiative like IMT is “long overdue. There has never been enough (small-scale musicals) for people,” she says.

When it comes to musical theatre, Sydneysiders are used to seeing a handful of big commercial shows each year but not a great deal else, besides amateur productions. Small-scale musicals are produced, but sporadically and at venues all over town.

Presenting them at one, dedicated theatre will shine a light on the work and help “develop audiences and develop the art”, says Campbell. “It will make musicals more accessible. There will be a place where you know you are going to be able to see a musical show at an affordable price.

“It’s like always going to blockbusters and never seeing an arthouse film. If you just go and see all the X-Men films and never see a Woody Allen film then you are not getting the full cinematic experience. We are trying to provide a similar thing (to arthouse films).”

Talented young performer Sheridan Harbridge, who has performed in musicals like My Fair Lady and An Officer and a Gentleman but also writes her own cabaret shows, is excited by the new venue. “Having this space is going to push a lot of artists to experiment a lot more, I think,” she says.

IMT will start producing shows at the Hayes Theatre early next year.

“You won’t come to the Hayes Theatre for great sets, it’s about the shows and the performers,” says Campbell. “But you’ll see productions that are so visceral and exciting you’ll think, ‘why do I need a big set for a show like this?’

“Things like this happen in London and New York all the time. There are places where they create new shows or stage revivals, which then move on (to bigger theatres). It’s important that Sydney has a place like this as well.”

An edited version of this story appeared in the Sunday Telegraph on August 18

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Independent Music Theatre: creating a new home for small-scale musicals and cabaret in Sydney

The Independent Music Theatre team. Left to right: Lisa Campbell, David Campbell, Neil Gooding, Michael Huxley, Richard Carroll, Simone Parrott, Michelle Guthrie, Jay James-Moody and Jessica Burns

The Independent Music Theatre team. Left to right: Lisa Campbell, David Campbell, Neil Gooding, Michael Huxley, Richard Carroll, Simone Parrott, Michelle Guthrie, Jay James-Moody and Jessica Burns

Yesterday’s announcement that a new, not-for-profit consortium of producers and organisations called Independent Music Theatre (IMT) is to run the Reginald Murphy Hall in Potts Point as a home for small-scale music theatre and cabaret has my heart singing.

It’s exciting news given the potential for the company to become an important and much-needed addition to Sydney’s musical theatre scene.

Currently known as the Darlinghurst Theatre, the 111-seat venue was home to the Darlinghurst Theatre Company from 1999 until this March when the company vacated it to move into the new Eternity Playhouse in East Sydney, opening in November.

Having won the tender from the City of Sydney Council to become the next resident company, IMT will announce a new name for the venue in the coming weeks.

Describing themselves as a “collaborative partnership”, IMT comprises a team of organisations who already have runs on the board producing small-scale musicals and cabaret: Luckiest Productions (David Campbell, Lisa Campbell and Richard Carroll), Neglected Musicals (Michelle Guthrie), Squabbalogic (Jay James-Moody and Jessica Burns, who are soon to stage Bloody Bloody Andrew Jackson at The Factory in Marrickville), Neil Gooding Productions (who produced the Australian musical The Hatpin by Peter Rutherford and James Millar) and independent producers Michael Huxley and Simone Parrott.

Commercial musicals currently dominate the music theatre scene in Sydney – and there aren’t that many of those each year given the relatively limited audience compared to London or New York.

It’s not that Sydney doesn’t see small-scale, independent musicals but the productions are sporadic and scattered around various venues. Presenting regular shows in one venue will give the work a very useful focus.

Having their own home, where they can support each other, will also give the companies involved a better chance to survive and thrive.

Initially IMT’s audience is likely to be industry-based along with serious musical theatre fans but if the work is good a broader audience will hopefully follow pretty quickly. London’s Menier Chocolate Factory is an obvious model, whose success will doubtless be encouraging for the IMT team.

The chance to see musicals from overseas that would otherwise be unlikely to make it to our shores – whether that be little seen classics or more recent, innovative work – is so important for the development of the artform, as well as for the people who want to make it and perform in it.

Developing new Australian musicals – that most challenging of theatrical beasts – is  something that IMT will hopefully be well placed to undertake in the fullness of time.

It is a small venue but the IMT team are specialists in the field of small-scale music theatre and cabaret and should have the expertise and nous to choose the right shows and make them work in the intimate setting.

Neglected Musicals is already associated with the venue having presented terrific rehearsed readings of nine musicals there including No Way to Treat a Lady, On the Twentieth Century and Variations by Australia’s Terry Clarke and the late Nick Enright.

Stephen Colyer’s Gaiety Theatre (not associated with IMT) has also had success staging musicals there, including Hello Again and Kiss of the Spiderwoman.

The first IMT production is likely to be presented at the start of next year. I can’t wait.

You can find IMT at www.independentmusictheatre.com or follow them on Facebook or Twitter @IMTsydney