Eternity Playhouse, March 29
Last night, I tore myself away from the Cricket World Cup Final (tough call) to attend the launch of The Nick Enright Songbook published by Currency Press. Hosted by Darlinghurst Theatre Company at the Eternity Playhouse, it was a lovely, warm event with performances and fond reminiscences from several of his collaborators and former students, among other artists.
As well as a playwright and screenwriter, Enright – who died 12 years ago today – collaborated on many Australian musicals. The best known is The Boy From Oz for which he wrote the book but he was also a gifted lyricist.
The publication brings together 50 of the best songs from ten musicals for which he wrote the lyrics, with music by five composers. These include The Venetian Twins, Variations and Summer Rain written with composer Terence Clarke, Buckley’s! with Glenn Henrich, Orlando Rourke with Alan John, The Betrothed, Mary Bryant and The Good Fight with David King, and Miracle City with Max Lambert.
Miracle City was produced last year by the Hayes Theatre Co, winning two Sydney Theatre Awards: Best Performance by a Female Actor in a musical for Blazey Best and Best Musical Direction for Lambert. A cast recording is on the way and Currency Press is publishing the show’s book.
The Nick Enright Songbook also includes two numbers from On the Wallaby – Enright’s play with music – one of which has music by Enright himself, and a cabaret song written with Lambert. Composer and academic Peter Wyllie Johnson edited the book and wrote the commemorative foreword.
Ian Enright introduced last night’s launch, recalling that his brother wrote 13 musicals and 250 songs.
Clarke, Lambert and Henrich were on hand to chat about their different ways of working with Enright and to play several of their songs, while performers including Jay James-Moody, Genevieve Lemon, Margi de Ferranti and Anthony Harkin among others sang a selection of them.
Lemon said that she had recently been to a school concert and hoped that school libraries will acquire or be given the book so that the school children are able to discover and sing some of his songs at such events.
The Sydney Gay and Lesbian Choir performed a beautifully arranged version of Sail Away from Mary Bryant, which was very moving, and Eddie Perfect, who was taught by Enright at WAAPA, sang a number he wrote (in 15 minutes between lectures) called Someone Like You as a tribute to Enright immediately after being told of his death.
The evening was a reminder of what an intelligent, skilled, sensitive and witty lyricist Enright was.
The foyer bar at the Eternity Playhouse is called Nick’s, named after Enright. The Enright Family is supporting Darlinghurst Theatre Company to stage three Enright plays over three years. The partnership began last year with a production of Daylight Saving and continues this year with Good Works.
Ian Enright said last night that he’d like to see one of Enright’s musicals being staged there. Let’s hope.
The Nick Enright Songbook (RRP $49.94) retails from all good bookstores and online at www.currency.com.au