Hayes Theatre Co, September 7
High Society is set in the palatial home of rich socialites complete with swimming pool: quite a challenge in a 111-seat theatre.
But, true to form, the Hayes Theatre Co production solves it ingeniously. Set designer Lauren Peters has come up with four elegant, moveable arches and a clever reveal for the party scene. Lucetta Stapleton’s 1930s costuming, a few props and some sound effects (Jeremy Silver) are enough to complete the picture, along with Gavan Swift’s lighting.
The 1998 stage musical is based on the 1956 film High Society starring Grace Kelly, Bing Crosby and Frank Sinatra and Philip Barry’s 1939 play The Philadelphia Story. It has a very funny script by Arthur Kopit and songs by Cole Porter, some of which were in the movie, such as Who Wants to Be a Millionaire?, Well, Did you Evah! and True Love, along with others of his that weren’t. Not all the lyrics relate as well as they might to the situation but overall it works a treat.
It’s the eve of Tracy Lord’s wedding to the rather pompous, dull George Kittredge. However, her younger sister Dinah is determined that Tracy remarry her first husband CK Dexter Haven, who turns up unexpectedly with a pair of reporters from Spy Magazine, Mike Connor and Liz Imbrie.
Helen Dallimore directs with a sure, light touch, telling the story with great clarity, while Cameron Mitchell’s choreography suits the period. In another ingenious touch, Dallimore uses a quartet led by musical director Daryl Wallis whose jazzy arrangements of the score work brilliantly.
Amy Lehpamer positively glows as Tracy: glamorous, tough and very funny when drunk, her singing, acting and dancing all perfectly pitched. Virginia Gay is sensational as Liz, who is quietly in love with Mike. Her comic timing is impeccable, her performance is full of delicious, surprising little details (the way she hesitates to articulate the word ‘you’ when singing “All I want is you” in Who Wants to Be a Millionaire? just one of many) and she knows exactly how to deliver the songs.
Bobby Fox convincingly conveys Mike’s gradual softening as he falls for Tracy in a charismatic performance, while Bert LaBonté is an understated, rather melancholic Dexter whose charm grows on you.
Along the rest of the exceptionally strong cast, there are well judged comic performance from Scott Irwin as George, Jessica Whitfield as Dinah and Laurence Coy as the lecherous uncle Willy, while Delia Hannah is lovely as Tracy’s mother. All in all, divine.
High Society plays at the Hayes Theatre Co until October 3. Bookings: www.hayestheatre.com.au or 02 8065 7337
A version of this review ran in the Sunday Telegraph on September 13